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Output details

35 - Music, Drama, Dance and Performing Arts

University of Surrey

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Output 27 of 68 in the submission
Title and brief description

Martino: Unstrung

Film score (82mins) and Research Project

Type
J - Composition
Year
2008
URL
-
Number of additional authors
-
Additional information

Funded by the Wellcome Trust, this full–length film documents the life of internationally acclaimed jazz guitarist Pat Martino. The composer role allowed direct collaboration with Martino, research (presented at the Royal Musical Association, UCL, British Library and in an OUP publication) into the rhythmic and motivic aspects of his improvisational style, and an engagement with the field of music neuroscience. Martino, an established jazz guitar pioneer suffered a severe aneurism in 1980, and his resulting amnesia devastated his career. His subsequent return to virtuosity (by “relearning from his own recordings”) is a compelling story and well received (“Perhaps the finest documentary about a jazz musician ever made” Vic Shermer, All About Jazz, 2008) with the film disseminated widely.

Key research questions in this project:

i)What can be learned about Martino’s improvisational strategies, micro-timing expression and melodic interpretation concepts - which he feels unable to articulate - through detailed digital audio analyses of multiple takes of one piece?

ii)How can Martino’s theoretical concepts (Martino 2004, 2005) be implemented effectively in a film score composition stylistically divorced from the jazz idiom?

Key insights include the identification of latency contours, micro-timing iso-placement and melodic shadowing in his improvisational style, described in my paper Temporal Plasticity which has been disseminated at international jazz conferences and events including Smithsonian Jazz Appreciation Month at the Rubin Museum (New York), the Leeds International Jazz Conference, Rhythm Changes (Amsterdam) the British Library and in a chapter in the forthcoming 2013 publication Music and Shape (OUP).

The project gathers the diverse disciplines of jazz improvisation, electronic composition, data sonification, jazz history and neuroscience into an accessible and engaging commercial output. The screenings at film festivals, and at jazz and neuroscience conferences have engaged a wide, otherwise disparate, audience.

Interdisciplinary
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Cross-referral requested
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Research group
None
Proposed double-weighted
No
Double-weighted statement
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Reserve for a double-weighted output
No
Non-English
No
English abstract
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