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Output details

34 - Art and Design: History, Practice and Theory

Bath Spa University

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Output 28 of 76 in the submission
Title and brief description

Gavin Turk: The Years (solo exhibition to coincide with the publication Gavin Turk [Prestel])

Type
M - Exhibition
Venue(s)
Ben Brown Fine Arts, London, UK (26/04/2013 - 14/06/2013)
Year of first exhibition
2013
Number of additional authors
0
Additional information

This solo exhibition of twenty-four works by Turk contextualised his career to date, combining pieces from 1990 onwards with new works that dwelt on the relationship of his work to other artists, their processes and to issues of authorship. In particular, the working methods and processes of Lucio Fontana and Michelangelo Pistoletto were explored, appropriated and integrated into works such Pistoletto’s Rubbish (2013), which brought together the polished surfaces associated with the Italian artist’s work and a silkscreened reference to Turk’s well-known bin bag sculptures with the intention of cutting to the heart of the question of how and why we value art. The questioning of concepts of value and significance in relationship to artists and their careers was a thread of enquiry that ran throughout this exhibition, as seen in Turk’s self-referencing in works such as Triple Pop Black and White (2011) and The Nubians of Plutonia (2009), in which Turk appropriated Pollock’s action painting oeuvre and subverted it by dripping his own name on to the canvas again and again to build up an ‘abstract’ image.

The exhibition was timed to complement the publication of a monograph published by Prestel in 2013 (Gavin Turk, ISBN 978-3791348346). Assembled under the artist’s direction, this first major book on the work of Gavin Turk showcases more than two decades of his work, and includes two essays, one authored by Judith Collins, and one by Iain Sinclair whose essay contextualizes the artist’s work under the umbrella of psycho-geography, including the impact of London on Turk’s persona. Including 450 illustrations, with images of work ranging from Cave (1991) to ‘Transit Compression’ (2012), the monograph presents a significant overview of Turk’s installations, sculptures, and images which refer to issues of authorship, authenticity, and identity and toy with the art-historical establishment. http://gavinturk.com/exhibitions/show/10332/

Interdisciplinary
-
Cross-referral requested
-
Research group
None
Proposed double-weighted
No
Double-weighted statement
-
Reserve for a double-weighted output
No
Non-English
No
English abstract
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