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Output details

34 - Art and Design: History, Practice and Theory

Falmouth University

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Title and brief description

'One Liner' series of glass and ceramic bowls

Type
L - Artefact
Location
Falmouth University
Year of production
2008
URL
-
Number of additional authors
-
Additional information

This web-based exhibition was curated by the Crafts Council as the launch project for the organisation’s ‘On-View’ feature platform where it remains permanently featured.

This exhibition comprehensively documents a research-through-practice investigation which has established several entirely new ‘work-flow’ processes for designing with digitally-recorded three-dimensional drawings used as the input for creating physical artefacts. The concept employs a digitising arm to record spatial sketches developed into artefacts by combinations of digital fabrication technologies and hand skills.

The research extends the knowledge of the practical and artistic application of post-WIMP (windows, icons, menus, pointer) interface systems within design practices, particularly in the applied arts sector. It also explores ways in which gestural expression can be captured digitally and translated into physical artefacts by new tools of digital fabrication.

The new design processes developed during this investigation have been tested extensively through the creation of a series of glass and ceramic bowls. The research was structured with a clear aim and a set of objectives, however other elements of the research were also guided by discoveries during creative explorations organised as cycles of reflective practice. The whole investigation has been rigorously documented and widely disseminated.

A portfolio of evidence includes a conference paper delivered at Physicality 2009 (HCI 2009, Churchill College Cambridge) and conference presentations: ‘Icograda’ (World Design Congress, Beijing), the Estonian Triennial of Applied Arts and ‘The Big Smoke’ (Auckland, New Zealand).

Pieces created during this investigation have been exhibited at numerous national and international venues: The Wills Lane Gallery (St. Ives), Galerie Handwerk (Munich, Germany), ‘Know How’ (Tallinn, Estonian), ‘DRAW,’ (Royal College of Art, London) and ‘Lab Craft,’ (London Design Festival, then touring 9 UK venues with 50k+ cumulative visitors).

Interdisciplinary
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Cross-referral requested
-
Research group
None
Proposed double-weighted
No
Double-weighted statement
-
Reserve for a double-weighted output
No
Non-English
No
English abstract
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