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Output details

34 - Art and Design: History, Practice and Theory

Royal College of Art

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Title and brief description

The Marcel - Millinery design

Type
K - Design
Year
2010
Number of additional authors
0
Additional information

The Marcel is a millinery design by McLean based on the 1920s Marcel Wave hairstyle. It is part of the Iconic Heads project, a long-running collaboration between McLean and hairdresser Neil Moodie.

McLean designed and realised a close-fitting wool cloche hat, shaped and cut to reference the iconic bob cut that has become emblematic of a modernist sensibility. The formal references and material of the hat present a nature–-culture dialectic. The choice of wool (an overtly natural material) for fabrication sits in contrast with the obvious artifice of the original hairstyle. The bright yellow colour of the hat alludes to the introduction of peroxide to bleach hair artificially.

The Marcel is one of a series of McLean’s designs which explore the potential of millinery as fashion-culture statement and design accessory. Research involved developing an in-depth understanding of the social context and semiotics of particular hairstyles through popular culture and film and fashion history. For The Marcel this included researching the Marcel Wave’s appearance in film, news and photojournalism, and developing an understanding of its social status and associated meanings.

McLean’s design was featured in the V&A Museum’s exhibition ‘Hats: An Anthology’ by Stephen Jones (2009) and the Design Museum book, Fifty Hats that Changed the World (2011). McLean was a winner of the 2010 Jerwood Contemporary Makers; The Marcel featured in the associated exhibition at the Jerwood Space, London, later touring to Dovecot Gallery, Edinburgh and Naughton Gallery, Belfast (2010). Carole Denford of The Hat Magazine, described the work of McLean and three of her UK contemporaries thus: ‘I’ve been in this business for nearly 30 years, and there have been other waves of statement-making milliners, but this one is somehow more explicit. They are the Schiaparellis of our day’ (New York Times, 2011).

Interdisciplinary
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Cross-referral requested
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Research group
None
Proposed double-weighted
No
Double-weighted statement
-
Reserve for a double-weighted output
No
Non-English
No
English abstract
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