Output details

Solar Oven

'Solar Oven' was designed, constructed and demonstrated in response to an invitation from Allan Giddy (Director ERIA, UNSW) to participate in a group project 'Desert Equinox'. An international group of artists explored issues surrounding climate change and sustainability through public art. Whilst much of the work was hi-tech, I introduced a simpler concept that attempted to untangle some of the myths and misunderstandings regarding solar power. What does it mean to return a technology intended for the so-called ‘Developing World’ back to the so-called ‘Developed World’? Could this approach encourage a more widespread DIY attitude? Audience participation and awareness of contemporary art were identified as key challenges within the context of this project. My specific concept developed out of this need to engage audiences directly within the ‘everyday’. The Solar Oven provided a movable ‘stepping-stone’ to many of the other exhibits in the project. It gently advocated a more ecological use of solar energy in a politically charged situation. The various artworks were located in the public realm, making positive relations between people and place. ‘Solar Oven’ prepared food for local people. One of the guiding questions throughout this research concerned how a contraption can function both as ‘sculptural object’ and ‘everyday’ device capable of functioning off-grid. Can a meaningful dialogue be developed between people and place, through technology? Solar Oven’ advocated a more sustainable approach to food preparation – one that is fuel-free and carbon neutral. It also tapped into the outdoor culture of BBQ’s for which Australia is renown. 'Solar Oven' was subsequently selected for Downtown Block Party exhibition in Albuquerque, New Mexico (23/9/12) part of the ISEA 'Machine Wilderness' conference 2012. Compared to the diesel-fuelled generators used for outdoor catering, ‘Solar Oven’ proved to be a safe and clean alternative, provoking discussion around appropriate technology.