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Output details

34 - Art and Design: History, Practice and Theory

Arts University Bournemouth

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Output 44 of 51 in the submission
Title and brief description

Solo Photographic Exhibition: The Westway: a Portrait of a Community

Type
M - Exhibition
Venue(s)
St. Martin-in-the-Fields Crypt Gallery; Trafalgar Square, London WC2N 4JJ www.stmartin-in-the-fields.org/
Year of first exhibition
2013
Number of additional authors
-
Additional information

This was a solo exhibition of 55 photographs shown at St. Martin-in-the-Fields’ Gallery, London. A print from the exhibition was shortlisted for the World Photography Organisation’s 2013 Awards; selected for the Royal Photographic Society’s annual print exhibition; and short listed for the Taylor Wessing Photographic Priz, 2013, exhibited at the National Portrait Gallery.

Research Questions

The research explored contemporary society’s reliance and infatuation with the automobile. It examined how individuals and small communities are affected by intense urbanisation; whether living in such an environment had short or long term influences on life opportunities, including education and/or employment; and how a community copes with being dissected by a major structure that has little purpose for them. The research questions broadened during the course of the research to examine the influence of urban redevelopment along the route of the A40 encouraged through changing land values as land that was once worth nothing, became worth millions.

Research Imperatives

The research was primarily sociological, documenting the lives of those living beneath and in the shadow of the A40 flyover in west London which bulldozed through North Kensington in the 1960s taking with it 600 homes and forcing 1,000 people to leave the area. It employed methodologies of oral history, using selected quotations from interviewees to accompany the images, developed during a previous project Hard Times (2011).

The research involved working to win the confidence of the subjects Wenham-Clarke intended to photograph and gaining their consent; this included a Gypsy community where outsiders were not normally welcomed.

This project provided unprecedented insights into the homes, businesses, sports facilities and educational centres of those living under the Westway; it also highlighted the multi-cultural aspects of the area and revealed some very positive aspects of living in a modern, ethnically diverse Britain.

Portfolio

Paper:

(i) Exhibition flyer (date of dissemination) and book

(ii) Press publications: Sunday Times Magazine and Times Higher Education

(iii) Catalogue: Taylor Wessing Photographic Portrait Prize

CD:

(i) Exhibition images

Interdisciplinary
-
Cross-referral requested
-
Research group
None
Proposed double-weighted
No
Double-weighted statement
-
Reserve for a double-weighted output
No
Non-English
No
English abstract
-