For the current REF see the REF 2021 website REF 2021 logo

Output details

34 - Art and Design: History, Practice and Theory

Arts University Bournemouth

Return to search Previous output Next output
Output 25 of 51 in the submission
Title and brief description

In No Particular Order: Painting as Metaphor for Presentness. Solo Exhibition held 8 December 2008 to 23 January 2009.

Type
M - Exhibition
Venue(s)
Arts Institute at Bournemouth, (now Arts University Bournemouth) FernBarrow, Wallisdown, Poole, Dorset BH12 5HH http://aub.ac.uk/about-us/campus/gallery/
Year of first exhibition
2008
URL
-
Number of additional authors
-
Additional information

This was a solo exhibition selected for the text+work programme delivered by the Gallery at Arts University Bournemouth (formerly the Arts Institute at Bournemouth) a leading Gallery in the South West showcasing work by contemporary artists. Granell exhibited 10 pieces of work in total. An accompanying text was written by Kathleen Abiker, Course Leader for Art History, at the Ashford School of Art and Design.

Research Imperatives

The research investigated whether the process of painting could be used as a metaphor for presentness and what it means to be stuck, unable to act?

Through a series of paintings, Granell explored how in their ‘daily recording’, painting might chronicle existence and evoke the passage of time. Drawing on the writings of Francois Jullien the paintings mirror the scattering that occurs in thought when confronting art which refuses to answer questions about meaning. The text explores through a series of incidental speculations (related to non-western forms of writing) the almost impossible notion of presentness with respect to the meaning and the reception of the work, its formal properties and the process of making. The idea of presentness is therefore problematic in relation to the creation of discourse in painting as to be truly present when reading the work requires an awareness of what it seen at the moment it is seen. The response to the work exists in the same way that the work exists at that moment and then it is gone.

The paintings use layers reminiscent of macro or micro-landscapes seen from a great height or seen from close up to explore the notion of Stuck: a good or a bad thing; a reason to create or to stop.

Portfolio

CD:

(i) Images of the work and the exhibition

(iii) Transcript of event held 11 December 2008 to accompany the exhibition

Paper:

(i) Date of dissemination: text+work leaflet

Interdisciplinary
-
Cross-referral requested
-
Research group
None
Proposed double-weighted
No
Double-weighted statement
-
Reserve for a double-weighted output
No
Non-English
No
English abstract
-