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Output details

34 - Art and Design: History, Practice and Theory

University of the West of England, Bristol

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Output 39 of 73 in the submission
Title and brief description

Lady Vengeance - Artists' Books Exhibition

Type
M - Exhibition
Venue(s)
23 Sandy Gallery, Portland; Collins Memorial Library, Washington
Year of first exhibition
2009
URL
-
Number of additional authors
0
Additional information

This major retrospective exhibition, Lady Vengeance is the outcome of ten years (1999-2009) production by Bodman of artists’ books. Bodman’s works explore historical events and literature offering a series of reinterpretations of nature and human nature as superficially beautiful and safe, but suggesting that, in fact, they are intrinsically sinister. These books form part of a wider investigation into the field of contemporary artists’ publishing within the Centre for Fine Print Research. The exhibition was composed of works that were created using various production methods, from unique, physical artefacts and letterpressed small editions to digitally produced work. They demonstrated the artistic possibilities afforded by the diverse range of print making processes now available, from traditional screen printing and letterpress, to digital and laser cut methods and publish-on-demand.

The exhibition was the first show by a British artist at the 23 Sandy Gallery in Portland, Oregon, at the invitation of gallery owner/curator Laura Russell. It resulted in an invitation to a further exhibition in Washington by Jane A. Carlin, Director of the Collins Memorial Library. Nineteen of Bodman’s works were subsequently purchased for collections by American universities, colleges and institutes of art and design; University of Washington; Virginia Commonwealth University; University of Puget Sound; Otis College of Art and Design; Cleveland Institute of Art; Minneapolis College of Art & Design; Emory University; and in Europe, including the Spazio Libro D’Artista, Catania, Sicily. In March 2010, Tate Britain purchased Bodman’s entire collection of works to date and other artists’ books produced subsequently. Bodman’s productions also featured in: Eileen Wallace (ed.), Masters Book Arts: major works by leading artists, (Lark, 2011), and Sandra Salamony, Peter Thomas and Donna Thomas, 1000 Artists’ Books: A Showcase of Fine Hand-Bound Structures: Exploring the Book as Art (Quarry, 2012).

Interdisciplinary
-
Cross-referral requested
-
Research group
None
Proposed double-weighted
No
Double-weighted statement
-
Reserve for a double-weighted output
No
Non-English
No
English abstract
-