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Output details

34 - Art and Design: History, Practice and Theory

Kingston University

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Output 21 of 103 in the submission
Title and brief description

British Art Show 7 - In The Days of The Comet

23 October 2010 – 4 December 2011

Number of pieces in exhibition: 20

Type
M - Exhibition
Venue(s)
British Art Show 7 Nottingham : 23 October 2010 - 9 January 2011 London : 16 February 2011 - 17 April 2011 Glasgow : 28 May 2011 - 21 August 2011 Plymouth : 17 September 2011 - 4 December 2011
Year of first exhibition
2010
Number of additional authors
1
Additional information

Cullinan Richards were invited by curators Tom Morton and Lisa Le Feuvre to participate in The British Art Show 7 and to produce four different manifestations of their work for the four venues between September 2010 and December 2011.

The resulting 20 works evolved through research visits at each site with each installation conceived alongside the given/chosen architectural spaces. For Nottingham Castle Museum [23/10/2010-9/2/2011], Cullinan Richards concentrated on the monumental and historic first stairwell to set the parameters of their research into painting strategies and modes of display. Stairwell walls were hung with 6 large paintings on plastic; a 13 lamp hanging piece; 3 framed prints of newspaper on glassine (86 x 56cms); 2 large paintings on plywood (150x120cms); a floor-based ‘Large Chandelier ’ (2m x2m x4m), and two contingent pieces positioned nearby made up of rolls of tapes. At the Hayward, [16/2/2011-17/4/2011], the first gallery stairway was used. The sculptural, brutalist architecture offered a different set of parameters and display/disruption challenges. In a dada-like act the ‘Large Chandelier’ was deconstructed and shown as a pile of materials on the floor. ‘Gogo Dancer’ (2012), still wrapped in protective glassine paper and plastic, alluded to an unfixed temporary state as the site of exhibition. New configurations of works, developed also in dialogue with other artists' exhibited work, were shown at Tramway Glasgow [27/5/2011-21/8/2011)] and at the Royal William Yard, Plymouth [17/9/2011-4/12/2011]. Cullinan Richards' used the four site exhibition to expand their conceptual approach to exhibition as material and to foreground an unfinished aesthetic that embraces change and constantly risks collapse.

Funded by Arts Council England, the exhibition was widely reviewed with an estimated number of over 400, 000 visitors. Catalogue British Art Show 7, ‘In the Days of the Comet’, ISBN: 978-1-85332-286-0.

Interdisciplinary
-
Cross-referral requested
-
Research group
None
Proposed double-weighted
No
Double-weighted statement
-
Reserve for a double-weighted output
No
Non-English
No
English abstract
-