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Output details

34 - Art and Design: History, Practice and Theory

Teesside University

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Output 35 of 44 in the submission
Title and brief description

Sunday

Film Installation Series for Exhibition

Type
M - Exhibition
Venue(s)
Baltic Centre of Contemporary Arts, Gateshead 2009 Open Eye Gallery, Liverpool 2009 Bank Arts Studio, Yokohama 2009 La Quinzaine, Cannes 2011 Metropolis. Hamburg 2011 Museum of Contemporary Arts, Toronto 2011 The Magazine, Berwick 2012
Year of first exhibition
2009
Number of additional authors
1
Additional information

Haillay founded the independent production company Third Films with Duane Hopkins in 2001. 'Sunday' is an installation research piece exhibited in gallery spaces which investigates the possibilities of creating multi-platform film projects. However it also represents a stand-alone series of works that begin to breach the divide between black-box and white-cube showing spaces. This was an investigation into how, by way of a connected off-shoot project, film might exist in a gallery context. 'Sunday' was born from a short film 'Field' (2001) that Thirdfilms had previously made and demonstrates that material shot for one format can successfully exist in another. The film installation was so successful that 'Sunday' has exhibited in three different continents and continues to be a point of interest in its various configurations.

The format of each individual work within 'Sunday' is that of a succession of moving image portraits. The configuration of 19 screens presents a changing sequence of juxtapositions. One configuration combines three images horizontally; creating a single extreme widescreen aspect-ratio that is at once epic and intimate. The portrait shots are influenced by classical painting and explore the connection between the individual and the natural world. The shots are not narrative-driven and create a layered texture and an immersive experience. The dislocation between portrait and landscape is both familiar and eerie: a place where serenity and anxiety are equally present.

From this research Haillay has gone on to develop projects that can be seen in more than one context, engaging different audiences: gallery ‘black-box’/site-specific installation, cinema/DVD, art publications etc. 'Sunday' proves the market for installation works born from a cinematic narrative. Allowing for a single topic to be discussed in several mediums under a single banner. In this context in 2010 Haillay co-produced Gillian Wearing’s feature debut 'Self Made' distributed by Cornerhouse Artists Films.

Interdisciplinary
-
Cross-referral requested
-
Research group
None
Proposed double-weighted
No
Double-weighted statement
-
Reserve for a double-weighted output
No
Non-English
No
English abstract
-