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34 - Art and Design: History, Practice and Theory
De Montfort University
Czech and Slovak Glass in exile - a touring exhibition curated by Petrova. Thwaites's work was selected by Petrova to epitomise the synthesis of Czech glass methodologies into current practice in the wider context of International glass art
The exhibition and accompanying catalogue are the first extended attempt to define the exile issue of glassmaking within the context of the phenomenon of 'free art' as mapped after 1989, the year of the Velvet Revolution and end of communist rule in former Czechoslovakia.
The premise taken by Petrova focused on 'the particularity of Czech and Slovak glassmaking, blending craft refinement with an original aesthetic sensibility.' (M. Pokorny, 2008) and addressed the historically important issue of 20th Century exile and influence of Czechoslovak ideas and skills in glass making.
Thwaites is one of only three people in the western world to have had the experience of studying glass in Czechoslovakia in the early1980's.
The tradition of Czech glassmaking, transplanted to another country and surrounded by other practices, has lost none of its vigour or uniqueness and has given rise to significant originality in her work in both the aesthetic and technical aspects of casting glass. This is visible in the concept, scale form and finish of the works exhibited.
Thwaites's work was selected by Petrova to epitomise the synthesis of Czech glass methodologies into current practice in the wider context of International glass art.
Thwaites carries out precise, rigorous and systematic research into recipes, materials and methods of refractory mould making. The results are increased surface quality of cast glass straight from the mould and improved firing strength, reduction of mould wall thickness saving kiln time, energy and materials.
The invitation to Thwaites to participate was based on the style, spirit, professionalism and unique perspective brought to her work as a direct result of her living and studying in former Communist Czechoslovakia in the early 1980's. The exhibition toured to four international venues in three countries and was seen by general, professional and academic audiences.
