For the current REF see the REF 2021 website REF 2021 logo

Output details

29 - English Language and Literature

University of Wolverhampton

Return to search Previous output Next output
Output 0 of 0 in the submission
Article title

“Helter Skelter” et l'héritage polémique des années 1960 (trans. ‘Helter Skelter’ and Sixties Revisionism)

Type
D - Journal article
DOI
-
Title of journal
Volume! La revue des musiques populaires
Article number
-
Volume number
9
Issue number
2
First page of article
33
ISSN of journal
1634-5495
Year of publication
2012
URL
-
Number of additional authors
1
Additional information
-
Interdisciplinary
-
Cross-referral requested
-
Research group
None
Proposed double-weighted
No
Double-weighted statement
-
Reserve for a double-weighted output
No
Non-English
Yes
English abstract

In 1968 critics found The Beatles’ song ‘Helter Skelter’ difficult to classify, and subsequent associations with cult murderers the Manson Family made it notorious. Overlooked for several years, early covers usually rendered it as hard rock; but soon the song would come to signify the ‘dark’ side of the decade when later, more generically diverse and deviant renditions would reinflect it as a critique of the sixties’ countercultural project. A musicological analysis shows how patterns of reclamation and contestation have made covers of the song a telling index of revisionist attitudes to the nineteen sixties and their legacies.