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Output details

34 - Art and Design: History, Practice and Theory

Glasgow School of Art

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Output 0 of 0 in the submission
Title and brief description

House in Linsiadar, Lewis

Type
L - Artefact
Location
Linsiadar, Lewis, Scotland
Year of production
2011
Number of additional authors
0
Additional information

The focus of all the work in this portfolio can be summarised with the question, ‘what is place?’ The work explores the thesis that the artistic dimension of architecture is the human experience of what we describe as ‘place’. The topic is examined through actual built works, reflective writing and analysis of contemporary Swiss architecture and architects exploring similar themes. 4 Linsiader, Lewis is a contemporary everyday rural building which draws on ancient and contemporary influences to show a fresh approach to dealing with the widespread rural problem of how to design a new house adjacent a ruined former croft or dwelling. The design operates within the traditional architectural language of pitched roofs and punctured openings as well as the limitations of engagement with local contractors whilst displaying contemporary characteristics such as inter-connected, well-lit interior spaces ,high environmental standards and a broad ‘gathering place’ of influences. It has been the subject of academic papers, professional journal critiques, featured in the architects’ own writings. It has made an impact beyond academic and professional press with articles in the popular press. It has been awarded GIA, RIAS and RIBA Awards and is currently shortlisted for the Doolan RIAS best building of the year and longlisted for the Stirling Prize- RIBA best building of the year. Both the Linsiader and the Dyer House in Falkirk (a separate output in the repository) contain almost identical programmes yet radically different settings. Using similar technology and construction (timber frame assisted by steelwork and clad in timber externally), each project displays contrasting means of expression. Both projects explore the question of how to use the physical and cultural context to generate architectural ideas within a tightly constrained technology. Linsiader acknowledges typology and makes a 'quiet' architectural statement while Falkirk breaks with typology and speaks louder within its context.

Interdisciplinary
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Cross-referral requested
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Research group
B - Strategic Theme - Architecture, Urbanism and the Public Sphere
Proposed double-weighted
No
Double-weighted statement
-
Reserve for a double-weighted output
No
Non-English
No
English abstract
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