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Output details

34 - Art and Design: History, Practice and Theory

University of Reading : B - Typography & Graphic communication

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Output 23 of 37 in the submission
Article title

Médailles sur les principaux événements du règne de Louis le Grand 1702, the making of the book

Type
D - Journal article
DOI
-
Title of journal
Bulletin du bibliophile
Article number
-
Volume number
2008
Issue number
2
First page of article
296
ISSN of journal
0399-9742
Year of publication
2008
Number of additional authors
0
Additional information

The type known as the romain du roi, begun in about 1696 but not completed until about 1750, is the earliest instance of a type for which the process of its design, and the materials for making it, largely survive. Its innovative appearance is widely cited as a major influence in the change in printing types that took place during the 18th century. Its first use was in Médailles sur les principaux évènements du règne de Louis le Grand, printed at the Imprimerie Royale, Paris, in 1702. Neither these materials nor the book itself had been examined in detail until the 20th century. They were the subject of an exhibition, ‘Le romain du roi: la typographie au service de l’état’, at the Musée de l’imprimerie, Lyon (2002–2003), of which Mosley was a curator and contributor to the catalogue.This research concerns many questions relating to the making of the type and the book itself, in which copper engravings were used together with the type, and on the presses used for printing. Many inadequately catalogued volumes of proofs at the Bibliothèque nationale de France and the records of the ‘graveurs du roi’ in the Archives nationales de France were examined in order to construct a record of the ‘making’ of the book. Two members of the commission which drew up the designs for the type, Jacques Jaugeon and Gilles Filleau des Billettes, were also responsible for draft accounts of punchcutting, typefounding and printing that remain unpublished in the library of the Institut de France. These were transcribed and studied. Undocumented records of the engraved plates, made for the Imprimerie royale but now in the British Library, were drawn on in order to build a picture of the process. Many contradictory anecdotal accounts of the work were discussed and assessed.

Interdisciplinary
-
Cross-referral requested
-
Research group
None
Proposed double-weighted
No
Double-weighted statement
-
Reserve for a double-weighted output
No
Non-English
No
English abstract
-