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Output details

34 - Art and Design: History, Practice and Theory

University of Greenwich

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Output 20 of 25 in the submission
Chapter title

Technology on screen: projections, paranoia and discursive practice

Type
C - Chapter in book
DOI
-
Publisher of book
Editions Rodopi B.V.
Book title
Cyberculture and New Media
ISBN of book
9789042025189
Year of publication
2009
Number of additional authors
1
Additional information

This was a collaborative piece with Alev Adil (Artist Poet, Theorist). The intention was to combine philosophical positions relating to discursive analysis technology and aesthetics with visual criticism and film analysis. The article was chosen for publication on the basis of presentations given at the Cybercultures conference in Prague 2005. The two separate papers seemed to resonate without being directly linked. This chapter was intended to make those links more explicit. The research addresses the criticism that Michel Foucault’s discursive archaeology cannot account for the production of discourse in a post literate technological period.

Interdisciplinary
-
Cross-referral requested
-
Research group
1 - Digital Art and Design (Film and Media)
Proposed double-weighted
No
Double-weighted statement
-
Reserve for a double-weighted output
No
Non-English
No
English abstract
-