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Output details

35 - Music, Drama, Dance and Performing Arts

Goldsmiths' College : A - Music

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Title and brief description

Shit! I can DJ

Type
I - Performance
Venue(s)
Various
Year of first performance
2010
Number of additional authors
0
Additional information

This research project explores and promotes experimental DJ practices, engaging critical debates about aesthetic value and participation, with the following manifesto:

We believe in diversity of listening


We believe everyone can DJ


We believe the most basic equipment can be used to DJ


We refuse to simply be consumers of musical products


We are committed to being innovative creators, utilising existing recordings


We are committed to exploring new DJ performance practices

The research process combines various outputs:

DJ performances utilizing non-standard or domestic equipment located in unconventional venues;

Instruction scores realised in performance by Busby, additional performers and the public; and

The creation of bespoke interactive hardware for audio playback, exploring crossovers between DJing, installation and sculpture.

The project is informed by the artistic philosophy of ‘availablism’ (using the resources available) and draws on performance art, including conceptual challenges to the roles and relationships between performer and audience.

This practice-based research examines the complex position of the DJ in contemporary culture. Historically, ‘DJ practice,’ defined as the use of playback media in music and art, is found in popular music, western art music and fine art. The term ‘DJ’ is perceived as highly specialized and skilled, but DJs are often not acknowledged as musicians.

These works do not require musical training, technical expertise or specialist equipment. Focusing on the sound and music produced, and situating performances in contexts where the DJ is not traditionally found, this researchremoves DJing from the realm of purely technical skill, simultaneously democratizing the practice by making it available to the non-specialist, and legitimizing it as musical expression. It also allows disparate strands of DJ or playback media practice to be understood as reflexive forms in dialogue, with the potential for a developing practice of crossover between them.

Interdisciplinary
-
Cross-referral requested
-
Research group
None
Proposed double-weighted
No
Double-weighted statement
-
Reserve for a double-weighted output
No
Non-English
No
English abstract
-