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Output details

34 - Art and Design: History, Practice and Theory

University of Ulster

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Output 66 of 90 in the submission
Title and brief description

'Site' Solo Exhibition, Baltic Mill

Including 'Construction Site' 2011 and '10000000000000000' (2012) subsequently exhibited at VOID gallery in Derry City of Culture.

Type
M - Exhibition
Venue(s)
Baltic Mill, Gateshead and Void Gallery, Derry
Year of first exhibition
2012
Number of additional authors
0
Additional information

‘Site’ Baltic, Gateshead (2012) was Wallinger’s first major British show for over ten years

'Site' comprises three new commissions made for the exhibition, and also the UK premiere of his 80-minute video 'Construction Site'.

'10000000000000000 (2012)' was installed in the same space with ‘The Other Wall’, 2012.

'Construction Site' depicts three builders erecting and then dismantling a scaffolding on a beach. Set against a backdrop of the sea and with the top of the structure aligning with its horizon, Wallinger draws attention to the construction of structures that are usually regarded as peripheral – and yet, are undeniably pivotal – to the construction of other structures. The idea is to highlight the construction of scaffolding itself, and arguably presents an interesting meditation on how we, the viewer, construct shapes and patterns and ideas out of things we see. Are the scaffolders actually “framing” the scene behind them, or are we? Or is Wallinger?

'10000000000000000 (2012)' which formed a giant chessboard covered in beach pebbles stretching out in front of the video projection. It catalogued and compared 65,536 stones, each occupying its own square on a gargantuan checkerboard — the simplest binary device for implying order. 'The Other Wall' (2012), in contrast, saw randomness contained in the form of a monumental brick wall. Each brick is numbered sequentially by hand prior to construction and then distributed with no order.

'Construction Site' was subsequently central to Wallinger’s first Irish solo exhibition at Void Gallery, a key event in Derry City of Culture. Exhibiting in Derry, at a time when a city attempts to ‘rewrite its history’, publicly through a cultural agenda, Wallinger’s approach to art-making and its critique of identity and self was particularly apt. BALTIC Bites video series provided further insights into the research process.

Interdisciplinary
-
Cross-referral requested
-
Research group
B - Art and Context
Proposed double-weighted
No
Double-weighted statement
-
Reserve for a double-weighted output
No
Non-English
No
English abstract
-