Output details
34 - Art and Design: History, Practice and Theory
University of Greenwich
Book title
Temporality and film analysis
Type
A - Authored book
DOI
-
Publisher of book
Edinburgh University Press
ISBN of book
9780748643462
Year of publication
2012
Number of additional authors
0
Additional information
The monograph develops a new theoretical approach to time and affect in cinema, and employs it to conduct a philosophical analysis of three influential films: L’Avventura (Antonioni, 1960), Mirror (Tarkovsky, 1975) and The Decalogue (Kieslowski, 1989). The book traces the history of temporal concepts in film theory, with a particular focus on two theoretical strands that have had a significant impact on recent film writing: phenomenological ideas around cinema’s sensory appeal, and film-philosophy inspired by Gilles Deleuze and Henri Bergson.
Interdisciplinary
-
Cross-referral requested
-
Research group
1 - Digital Art and Design (Film and Media)
Proposed double-weighted
No
Double-weighted statement
-
Reserve for a double-weighted output
No
Non-English
No
English abstract
-
