Output details
34 - Art and Design: History, Practice and Theory
University College London : B - Fine Art
The New Art, Hayward Gallery, London, 1972: New as compromise, or when what happens around the exhibition is as interesting as what happens in the exhibition
The research published in this article was presented at the conference 'New British Sculpture' at the Henry Moore Institute Leeds (February 2011). It draws on research conducted in the Archives of Art and Design (V&A) during my AHRC-funded research leave in 2008. The conference provided an opportunity to take this initial enquiry in a new direction. Research undertaken in London was augmented with additional research in the archives of the Getty Research Institute during research visits in 2010 and 2012, and the final article brings together aspects of my research into British and landscape-related sculpture of the period.
