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Politics in a glass case

Perry’s co-edited book enables different generations of curators, artists and historians to rethink distinct and unresolved moments in the feminist re-modelling of art contexts. It addresses the role of feminism in museum collections as well as in exhibition practice, museum technologies, the international biennial circuit, and curatorial categories like 'relational aesthetics'. Perry’s contributions include an introductory essay (with co-editor Dimitriaki) entitled ‘How to Be Seen: An Introduction to Feminist Politics. Exhibition Cultures and Curatorial Transgressions’ and a chapter: ‘A Great Time to Be a Woman? Feminism and Women’s Art at Tate Modern’. A Leverhulme Research Network Grant provided essential underpinning.