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Output details

34 - Art and Design: History, Practice and Theory

University of Cumbria

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Output 16 of 18 in the submission
Article title

Übersehene Spuren. Der philosophisch paradoxe Begriff der Tierliebe in der Photographie

Type
D - Journal article
DOI
-
Title of journal
Tierstudien
Article number
-
Volume number
03/2013
Issue number
-
First page of article
91
ISSN of journal
2193-8504
Year of publication
2013
URL
-
Number of additional authors
0
Additional information
-
Interdisciplinary
-
Cross-referral requested
-
Research group
None
Proposed double-weighted
No
Double-weighted statement
-
Reserve for a double-weighted output
No
Non-English
Yes
English abstract

Overlooked Traces – The Philosophically Paradoxical Concept of Animal Love in Photography. (English title)

Briefly, my article addresses the contradictory relationship we have with our pets, particularly cats and dogs. Philosophically, love is defined as a clear relationship amongst humans and as such dependent on human nature. Traditionally, the nature of animals is understood in opposition to human nature. This categorical differentiation has been drawn into question (e.g. Derrida) especially when looking at our relationship with our pets. Contemporary photography can visualise essentially complex and contradictory facets of our relationship with our pets. The tolerance of the disgusting and disturbing can be viewed as a mark our love of animals.