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34 - Art and Design: History, Practice and Theory
University of Sunderland
Pyrographic calligraphy
Ling’s practice-led research is concerned with the calligraphic mark-making process. In his series of works ‘Pyrographic Calligraphy’ Ling investigates how he can use hot molten glass on paper developing this approach to the calligraphic process, and has created a series of works which bring together pyrography, mark making with hot glass and hand written calligraphy to bring new layers of interpretation to calligraphy. The works from this series have been exhibited and published in:
Words Set Free 19 September to 19 October 2012; The Free Word Centre, London 16 January to 20 February 2013; The Design Centre, Sunderland 24 March to 15 June 2013; The Lettering Arts Centre, Snape Maltings 20 June to 5 July 2013; Studio XII, Brugge, Belgium 7 September to 27 October 2013; Monrow Valley Arts Centre, Walterstone; Beyond Traditions 12 August to 9 October 2011 – National Glass Centre, Sunderland.
Additional Publications: The Briem Report: Letterforms 2012 (ISBN: 978-1934227114) edited by Gunnlaugur SE Briem, Publisher: Operina LLC (April 26, 2013) www.operina.com Symposium: The Writing 2011 International Calligraphy Symposium – ‘Words in Context’ at The University of Sunderland