For the current REF see the REF 2021 website REF 2021 logo

Output details

34 - Art and Design: History, Practice and Theory

Middlesex University

Return to search Previous output Next output
Output 9 of 102 in the submission
Title and brief description

A Short Sprint. Solo Exhibition and Artists Book

Type
M - Exhibition
Venue(s)
Lake Gallery, Custard Factory, Birmingham
Year of first exhibition
2012
Number of additional authors
-
Additional information

During the summer of 2012, I was commissioned by Birmingham based cultural organisation, ‘Kalaboration: London 2012-Jamaica 50’, to develop a project which responded to both the 50th anniversary of Jamaican independence on the 6th August, and to the presence of the Jamaican Olympic Athletic Team in the city of Birmingham in the run up to the 2012 London Olympic games.

This project set out to devise a visual and conceptual space within which fifty years of Jamaican political history could be narrativised using the metaphor of the one hundred metres sprint. Using the technical ‘phases’ which govern the act of sprinting as a guiding framework, it examines the political oscillations between the left leaning Peoples National Party, and the right-wing pro American Jamaica Labour Party, which have characterised and, to a large extent, distorted post-independence politics on the island.

The realisation of this project included research into the political history of the Jamaica and its photographic and filmic archive, and an examination of re-emerging discourses within the popular media, which appeared to suggest racial, regional or genetic predispositions for particular types of sporting prowess. Also, primary research was carried out into the technical and visual aspects of the act of sprinting with a young athlete at the Alexander Stadium, Birmingham.

From these elements, Piper developed a new multi-monitor video based installation entitled ‘A Short Sprint’ which was staged at the Lake Gallery, Custard Factory, Birmingham in August 2012. As an element of this project, I also developed and published an Artists Commentary available in eBook form exploring the conceptualisation, development and realisation of the work and its relationship to a reading of post-colonial Jamaican political history.

The output is presented via portfolio, which should be viewed in order to gain a proper understanding of the research.

Interdisciplinary
-
Cross-referral requested
-
Research group
F - Diaspora, Difference and Other Cultures
Proposed double-weighted
No
Double-weighted statement
-
Reserve for a double-weighted output
No
Non-English
No
English abstract
-