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Output details

34 - Art and Design: History, Practice and Theory

London Metropolitan University

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Title and brief description

'Future Monument ' Live performance, sculpture and series of silk screen prints

Type
I - Performance
Venue(s)
Goldsmiths college, London; Harlow Temple of Utopias, Essex; Herzliya Biennial, Herzliya; RADAR, Loughborough; The Showroom, London.
Year of first performance
2008
Number of additional authors
1
Additional information

Based on a series of collages made from images of mega yachts, the Future

Monument by collaborative artists Pil and Galia Kollectiv looks at the possibility

of taking late capitalism more seriously as an ideology than it takes itself . The project asks whether the private display of wealth and power represented by the yacht can be appropriated for a new language of public sculpture.

The choreographed live performance of the construction of the large

scale monument was scripted to a proposed capitalist manifesto and took

place in a public square in Herzliya, Israel. It aimed to articulate the ideology

latent in capitalism’s claims to a neutral manifestation of human nature.

Capitalism doesn’t present itself as an ideology but as the consequence,

however, undesirable, of inevitable economic and social realities. By writing a manifesto, erecting monuments and performing propaganda plays for

capitalism, the project’s objective is to force a self-recognition within capitalism

of its own ideology. Power and politics are addressed not from without, but

rather, assuming the current deadlock of no alternatives, from within. Applying

a strategy of overidentification, this work does not negate capitalism, merely

reflects its claims back at it in such a way as to undermine self-professed

neutrality.

The Future Monument project was developed through reading seminars taking

place at Goldsmiths College, as part of a research strand headed by Pil and

Galia Kollectiv on irony and overidentification within the ‘Political Currency of

Art’ research group. This research has produced a series of silk screen collage

prints, a sculpture commissioned by Essex Council and a live performance

commissioned by the Herzliya Biennale. The capitalist manifesto was

subsequently performed as part of ‘Epic Sea Battle at Night: A Revolutionary

Play Permeated with the Economic Thinking of Milton Friedman’ commissioned

by RADAR, Loughborough and Bookworks.

Interdisciplinary
-
Cross-referral requested
-
Research group
None
Proposed double-weighted
No
Double-weighted statement
-
Reserve for a double-weighted output
No
Non-English
No
English abstract
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