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34 - Art and Design: History, Practice and Theory
University of Greenwich
Technology on screen: projections, paranoia and discursive practice
This was a collaborative piece with Alev Adil (Artist Poet, Theorist). The intention was to combine philosophical positions relating to discursive analysis technology and aesthetics with visual criticism and film analysis. The article was chosen for publication on the basis of presentations given at the Cybercultures conference in Prague 2005. The two separate papers seemed to resonate without being directly linked. This chapter was intended to make those links more explicit. The research addresses the criticism that Michel Foucault’s discursive archaeology cannot account for the production of discourse in a post literate technological period.