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Output details

35 - Music, Drama, Dance and Performing Arts

Leeds Beckett University

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Output 31 of 40 in the submission
Output title

SpiralSet: A Sound Toy Utilizing Game Engine Technologies

Type
E - Conference contribution
DOI
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Name of conference/published proceedings
2009 International Conference on New Interfaces for Musical Expression (NIME), Pittsburgh,
Volume number
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Issue number
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First page of article
56
ISSN of proceedings
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Year of publication
2009
Number of additional authors
-
Additional information

Online listing in event programme when presented as installation. Photos of installation and public engagement with this also available. Copy of NIME paper. Link to app on App Store.

Title: SpiralSet

Abstract: SpiralSet is a digital artefact and ‘open work’ Eco (1959) Aspects of the interactive piece are pre-composed, but a significant degree of influence over the sound world is allocated to the player. Controllable shifts in timbre, rate of modulation,combinations of sound types and overall sonic structure offer the player a ‘field of possibilities’, a term coined by Belgium composer Henri Pousseur (1929–2009). The shape and form of the virtual transparent pipeline, with its optional spiral pathways, is designed to encourage variable motion of the audiovisual objects. The patterns of motion and positions of each of the three balls within the pipeline are intimately linked with the progression and development of the sound materials. Whilst the player input controls are simple, the sound engine responds to even small movements of the balls, providing a responsive and dynamic sound output that relies on a degree of sensitivity from the player. This work has been presented as in interactive installation, a paper and most recently been published for the iOS platform.

Interdisciplinary
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Cross-referral requested
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Research group
None
Proposed double-weighted
No
Double-weighted statement
-
Reserve for a double-weighted output
No
Non-English
No
English abstract
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