Output details
35 - Music, Drama, Dance and Performing Arts
Newcastle University
Article title
Elvis and Darmstadt (The IMS Cut)
Type
D - Journal article
DOI
-
Title of journal
Hamburger Jahrbuch für Musikwissenschaft
Article number
-
Volume number
27
Issue number
-
First page of article
9
ISSN of journal
0342-8303
Year of publication
2011
URL
-
Number of additional authors
0
Additional information
This article extends the agenda of my earlier essay, ‘Elvis and Darmstadt, or: Twentieth-Century Music and the Politics of Cultural Pluralism’, published in twentieth-century music 4/1 (March 2007), and submitted to RAE2008. ‘The IMS Cut’ re-examines the question of the incommensurability of the spheres of high-art and popular musics – but with new critical perspectives. Some of the material on pp. 10–11 and on p. 15 re-uses text from the sister article, but most of the treatment is new, including the discussions of Miklitsch, Lévi-Strauss and especially the postcolonialist perspectives from Bhabha.
Interdisciplinary
Yes
Cross-referral requested
-
Research group
None
Proposed double-weighted
No
Double-weighted statement
-
Reserve for a double-weighted output
No
Non-English
No
English abstract
-
