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Output details

35 - Music, Drama, Dance and Performing Arts

University of Exeter

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Title and brief description

The Idiot Colony Project

Type
I - Performance
Venue(s)
Institute of Contemporary Arts, London; Birmingham Repertory Theatre; Theatre Royal Plymouth; Theatre Royal Bath; Edinburgh Festival; Tron Theatre, Glasgow; Warwick Arts Centre; and various others”
Year of first performance
2008
URL
-
Number of additional authors
0
Additional information

Description and Rationale

This is a Practice-as-Research project exploring approaches to contemporary physical theatre training and performance through the creation, realisation and interdisciplinary reflection upon a piece of ensemble theatre The Idiot Colony.

Approaches and Strategies

Loukes co-created and performed The Idiot Colony with RedCape Theatre (premiered at Edinburgh Festival, August 2008), which drew together a diverse combination of training approaches from Gindler work and Asian martial-meditation arts (Loukes) to the physical theatre of Jacques Lecoq (Coaché and Friend).

The project asked the following research questions:

• How can specific practices and histories of performer training disciplines both inform and problematize each other? (addressed and evidenced in Output 1 and 2)

• What strategies can be utilised to draw together such practices to create new ensemble languages? (addressed in Output 1, 2, 3 and 4)

• What interdisciplinary, theoretical perspectives might be useful in furthering our understanding of training and performance? (addressed and evidenced in Output 2 and 3)

Outcomes and Evidence

In line with Exeter’s policy of interweaving practice and scholarship, the outcomes of this project are both performance-based and articulated through conventional scholarly media. The project has generated 92 public performances across the UK, two book chapters, one/two conference papers and an online Educational Resource Pack.

Output 1: 92 public performances at significant venues across the UK

Output 2: ‘Towards a Syncretic Ensemble? RedCape Theatre’s The Idiot Colony’ 6,000 word chapter in John Britton (ed.) (2013) Encountering Ensemble, London: Bloomsbury.

Output 3: ‘Beyond the Psychophysical? The ‘Situated’, ‘Enactive’ Bodymind in Performance’, 12,000 word chapter in Phillip Zarrilli, Jerri Daboo and Rebecca Loukes (2013) Acting: Psychophysical Phenomenon and Process – Intercultural and Interdisciplinary Perspectives, Basingstoke: Palgrave Macmillan.

Output 4: Conference Paper: The Idiot Colony: Principles, Processes and Practices, invited talk, University of Exeter, September 2011.

Interdisciplinary
-
Cross-referral requested
-
Research group
1 - Centre for Contemporary Performance Practices
Proposed double-weighted
No
Double-weighted statement
-
Reserve for a double-weighted output
No
Non-English
No
English abstract
-