Output details
34 - Art and Design: History, Practice and Theory
University of South Wales (joint submission with Cardiff Metropolitan University and University of Wales Trinity Saint David)
Two chapters in edited multi-author book
Elizabeth Edwards; William Fox Talbot
A critical overview on the writings of Elizabeth Edwards. Particular attention is given to her methodological approach to examining cross-cultural visual histories, photographs as material culture and the history of collecting and institutional practices. The essay charts an evolving critical sensibility drawing on analytical methods from historiography, anthropology, cultural geography and museology, to explore photography as a complex material and visual artefact and its place in the historical imagination. This connects with Roberts’ own curatorial research on the archive and past collaboration with Edwards (Roberts, R. “In Visible Light”, 1997)
Fox-Talbot’s writing is reviewed in relation to experiments that laid the foundations of modern photography, constituting the earliest cultural reflection on the origins and potential of the new medium. The essay emphasises the various roles and identities Talbot’s writing on photography embodies and his evolving pictorial and phenomenological response to his discovery from his seminal text The Pencil of Nature (1844-46), to lesser-known personal correspondence and journals. It builds on Roberts’ research into histories of photography and the work of Talbot (Roberts, R. et al, “Huellas de Luz . Traces of Light”, Museo Naçional Centro de Arte Reina Sofia, 2001)
