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Output details

36 - Communication, Cultural and Media Studies, Library and Information Management

Edge Hill University

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Output 7 of 47 in the submission
Title and brief description

Art Machine Vision

Type
M - Exhibition
Venue(s)
Centro De Convivencia, UNIFOR, Fortaleza
Year of first exhibition
2008
Number of additional authors
0
Additional information

The works explore ideas connected to our visual and physical relationships with technology, and ways in which viewers and consumers of media engage with digital technologies. Research questions include: How is our idea of vision and the act of seeing or visualization altered through the influence and reliance on (digital) technological apparatus? Through practical application and presentation, how might it be possible to re-conceptualize our notion of vision and ‘seeing’ via material and technological mediation? The exhibition arose from work produced for MOSI’s ‘Art-Machine-Vision’ exhibition (2007). The representation and refinement of the works further developed ideas about the relationship between art and technology, included ‘live’ video interaction, single- and multi-screen video, and adapted commercial technologies. Works aimed to provoke ideas, responses and reactions to the way we engage with digital technologies as well as the notions of ‘seeing’. Two works were completed, aligning with the exhibition’s central investigation and theme: 1. Magnification - asked visitors to consider the way viewers understand and interact with digital technologies as objects/artefacts. Viewers were invited to observe a series of 3-D CGI animations, presented on small digital displays, via non-digital magnification lens. Through the reinvention of everyday technologies and the re-presentation of familiar materials, the aim was to generate disharmony between material and expectation; 2. Interactive Eyes - responded to perceived notions of artificial intelligence and our desire to connect with the digital machine. Using the distorted form of the human eye to track movement, these eight separate works create a pseudo-interconnected community, parodying the concept of artificial life and the intelligent machine. The project enhances understanding of how we use digital technologies to augment our activity of viewing and reexamine the role that technology plays in visualizing the world around us. Workshops associated with the exhibition discussed the ideas and explained the production.

Interdisciplinary
-
Cross-referral requested
-
Research group
None
Proposed double-weighted
No
Double-weighted statement
-
Reserve for a double-weighted output
No
Non-English
No
English abstract
-