Output details
36 - Communication, Cultural and Media Studies, Library and Information Management
Edinburgh Napier University
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Output 0 of 0 in the submission
Article title
La transmission perdue et retrouvée
Type
D - Journal article
Title of journal
Réseaux
Article number
-
Volume number
172
Issue number
2
First page of article
92
ISSN of journal
1777-5809
Year of publication
2012
URL
-
Number of additional authors
-
Additional information
-
Interdisciplinary
-
Cross-referral requested
-
Research group
None
Proposed double-weighted
No
Double-weighted statement
-
Reserve for a double-weighted output
No
Non-English
Yes
English abstract
This article examines the role of the sampler as a technology that is tightly interlinked with the creative process. Most research on sampling digresses its initial subject to focus on the impact of these tools on copyright. The aim here is to examine the process of musical creation and the aesthetic choices made in the studio, in order to analyse the role of digital technologies in the expansion of composers’ musical palette. The shift from an approach of appropriation based on recognizable sampling to the manipulation of errors and accidents defies current definitions of sampling and its relation to post-modernism.
