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Output details

34 - Art and Design: History, Practice and Theory

Nottingham Trent University

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Output 1 of 88 in the submission
Article title

A World of Colour and Bright Shining Surfaces: Experiences of Plastics after the Second World War

Type
D - Journal article
Title of journal
Journal of Design History
Article number
-
Volume number
26
Issue number
3
First page of article
285
ISSN of journal
1741-7279
Year of publication
2013
URL
-
Number of additional authors
-
Additional information

This article develops the historical dimension of Fisher’s work on plastics in consumption experiences, drawing from new empirical work in the Hagley Museum, Wilmington Delaware and using advertisements for specific plastic products in Ideal Homes and Gardens between 1945 and 1973. The article draws on ideas from sensory anthropology to put in the foreground the ‘sensory identity’ that the materials acquired in this period, concentrating particularly on the qualities of plastic surfaces. It contains a new reading of some early texts about plastics that were directed at the general reader through which the article identifies the origin of this characteristically plastic ‘shine’, and its early positive meanings. It traces these through Ideal Home up to the arrival in the 1970s of a more equivocal view of the materials informed by environmental concern. The article is original in its reading of the history of plastics from this sensory/ material perspective, bringing to this concepts from work in the social sciences, particularly ‘sensory anthropology’, that has attended to the materiality of experiences of the designed world and the emergence and ‘stabilisation’ of technologies in their social settings. The article appeared as part of a special issue of JDH, ‘Shininess: Bringing Meaning to Light in Design’, to which Fisher contributed a co-authored article-length introduction:

Maffei, N. and Tom Fisher (2013), ‘Historicizing Shininess in Design: Finding Meaning in an Unstable Phenomenon’, Journal of Design History, 26: 231-240, DOI:10.1093/jdh/ept025, available at http://jdh.oxfordjournals.org/cgi/reprint/ept025?ijkey=cO64oIBTz4lJvKX&keytype=ref

The historical approach to plastics and their sensory consequences present in this article articulates with Fisher’s focus on the materiality of contemporary consumption experiences, and the role that plastics play in them, represented in Outputs 1 and 4 and in previous publications.

Interdisciplinary
-
Cross-referral requested
-
Research group
None
Proposed double-weighted
No
Double-weighted statement
-
Reserve for a double-weighted output
No
Non-English
No
English abstract
-