Output details

Lest We Forget - Chalice

This enquiry uses the artefact ('Lest we Forget') as a way of creating discourse about society, religion, ritual practice, and beliefs by reconsidering a functional/religious object: the Chalice. Discussed during a public lecture, in conversation with Eric Turner, Curator, V&A, and the Precentors’ conference, 'The Urban Cathedral' (2011), it explores visual metaphor and usability as one, extending the platform for provocation and narrative commentary through application of recognised iconography.

The subversion of ergonomic principles is an important vehicle of expression in this piece, and the brutality of form and process references Nkisi Nkondi of Zaire (nineteenth century) in the physical and conceptual sense. The cross, veiled in contemporary concerns, scandal and prejudice, questions the place and impact of religious icons in modern society; the singular cross is increasingly rejected through personal belief yet embroiled in calls for human rights within law. Its historical connotations are too sensitive to represent a symbol of humanity in other societies (Red Cross/Crescent). However, when used in multiples it is able to move beyond ownership and be accepted beyond personal belief, speaking of national defiance (Hill of Crosses, Lithuania) and evoking mass atrocity (WW1 cemeteries).

The technical and visual opportunities afforded by integral casting provided creative stimulus to reflect, extend, and combine previous enquires that used ecclesiastical objects to challenge preconceptions of function (Sheffield Cathedral 08/09, Archdiocese of New York 1996-2005) and public artwork (Cutting Edge, Sheffield; Baltic Quays, Gateshead; Desire, Blackpool; Sheaf Tree, Leeds) that often memorialised the heritage of its location.

This object won the MS National Metalwork Design Award 2010, and was acquired by Museums Sheffield designated collection. Publications include 'Handmade in Britain' (Norman 2012), 'Goldsmiths Review' (2011), 'Crafts Magazine' (2011), 'Church Building and Heritage Review' (2012). It has been selected for the commemorative WWI exhibition, Weston Park Museum, Sheffield (2014).